Saturday, November 21, 2009

Baroness - Blue Record


Artist: Baroness
Album: Blue Record
Label: Relapse Records
Year: 2009








Tracklist:

CD 1
01. Bullhead's Psalm
02. The Sweetest Curse
03. Jake Leg
04. Steel That Sleeps The Eye
05. Swollen And Halo
06. Ogeechee Hymnal
07. A Horse Called Golgotha
08. O'er Hell And Hide
09. War, Wisdom And Rhyme
10. Blackpowder Orchard
11. The Gnashing
12. Bullhead's Lament

CD 2
01. The Birthing
02. Isak
03. Rays On Pinion
04. Wanderlust
05. Grad

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pass: lateralnoise.blogspot.com

The color blue can take on many meanings. It is sometimes interpreted as calm or happy. Dissimilar to that, it may be described as knowledge, power, integrity, and seriousness. Enter the Blue Record, the second LP by the Georgian metal band Baroness.

There's a lot to say about the band, with very little being said. Baroness seem to be shadowed by their Georgian contemporaries, Mastodon. While there are slight similarities in both bands' sounds, Baroness can hold their own. To compare the two would be unfair, as both are very unique bands. This being the bands sophomore album, one wonders if they have progressed as artists. They've maintained their overall sound while embracing some new ideas. The Red Album was a fine album, but the band has refined their sound, creating an experience that will satisfy both fans and newcomers alike.

Baroness tend to wear their sludge metal title proudly. Harsh and abrasive vocals, distorted instrumentation, and contrasting tempos are all in check. Everything works well together, making for one polished and consistent piece of work. However, the album's main charm doesn't come from a few muddy sounding instruments, but rather from its pure southern aesthetic. The album is full influences that range from southern rock to bluegrass. Baroness utilizes undertones rather than overtones. Instead of the listener getting Skynard stylized riffs thrown at them every few minutes, they are treated with a more subtle approach.

The instrumentation utilized on the Blue Record is greatly varied. This isn't a metal album that spirals into self-indulgent guitar solos, or stays set on a riff. Instead, a happy medium is found. John Baizley and Pete Adams are more then competent, and Summer Welch isn't completely overproduced out of audible range. The band does a fantastic job switching from the heavy "Swollen and Halo," to the more folksy "Blackpowder Orchard." The sounds and moods are constantly changing and the members to a fine job keeping up throughout. It is evident that the band is really having an enjoyable time

There isn't a bad track on the record per se, but I feel it necessary to bring up "O'er Hell and Hide." It's simply the weakest track on the record. Not terrible, just a little uninspired, and most listeners will find themselves skipping it. That being said, the Blue Record has some killer tracks. "Steel that Sleeps the Eye" and "Swollen and Halo" create the focal point of the album. The first being a solemn and calm track leading into the harsher and quicker paced "Swollen and Halo." However, "The Sweetest Curse" and "The Gnashing" are also contenders for the record's top song. Even the interludes are well thought out pieces of music. The same tune heard in the "Bullhead's Psalm" makes appearences in a few of the record's tracks. Details like this really absorb the listener into everything the Blue Record is.

Baroness have released what could easily be a contender for metal album of the year. Full of charm and character, the Blue Record is a great listening experience.
by Elijah A. @ sputnikmusic.com


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Friday, November 20, 2009

Old World Vulture - How The West Was Lost


Artist: Old World Vulture
Album: How The West Was Lost
Label: Audiolab Recording
Year: 2009








Tracklist:
01. How the West Was Lost
02. How Was the West Lost (Valiise remix)

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After the successful digital release of their debut single "Benny," Toronto instrumental noisemakers Old World Vulture will release a second single, "How the West Was Lost," as a free digital download on November 1, 2009, followed by the release of "Bastard Engine" on December 1, 2009.

The songs will only be available as a free download for 30 days from the date of release. All three songs will appear on the band's forthcoming debut EP, slated for release later this year.

Drawing comparisons to Holy Fuck, Do Make Say Think and Mogwai, the band — Mike Costanzo (guitar), Devin Hughes (synthesizer), Jamie Hunter (drums) and Anthony Perri (bass) — are releasing the singles exclusively through their website (www.OldWorldVulture.ca).

The three songs were recorded between May-July, 2009 in Toronto at Audiolab Recording Company with Chris Hegge (Career Suicide, Fucked Up, The Meligrove Band). Also included with each single is an exclusive remix by electronic composer Valiise.


Official Site
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Monday, November 9, 2009

Last Rizla - Last Rizla


Artist: Last Rizla
Album: Last Rizla
Label: Self Released
Year: 2009







Tracklist:
01. Hypoxic
02. Duality
03. Nine One One
04. Threedom
05. On Earth
06. Sixteen Seconds

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pass: lateralnoise.blogspot.com

Last Rizla is a band from Hermoupolis, in Greece (on the Island of Syros, in the Cyclades Archipelago). The band started playing in 2003 and, as humorously reported on the myspace page, experienced various line-up changes. The present band’s members are: Greg (drums), Choko (guitar), Zak (vocals) and, last but not least, Kooh (bass).
The demo album was recorded in March 2009 in Thessaloniki, Greece, and was mastered and printed in Athens. It was released just a few days ago (22/10), 1000 copies (cd only) each with slightly different artwork (the band’s members hand-stamped all the packages). It is a self-financed release and the band is unsigned. The band is giving the album for free.


In his e-mail message Kooh says about the band’s musical style: “I won't cope categorizing into a genre - there's a lot of different sounds in there. Well, it's heavy.”
Variety appears to be a constant character of this nice band. Look what they say about their look on myspace!: “The vast majority of the Last Rizla Group members encounter a dispiriting problem of bad, plain bad, haircuts or hairstyles; ranging from total baldness to buddha-looking-chubby-heads, oily-lovelocks to 80s-mane-full-of-shame, disoriented-dreadlocks to yippy-yow-cowlicks, one-bread-all-head to pussy-looking-fluffy-mohawks and weak-afanaz, Last Rizla have made their statement to the world of style! Viva Bad Taste!”


After these due “technical” and “hairstyling” details, let’s move on to the music …
Well, as announced by Kooh, Last Rizla’s sound is definitely heavy and isn’t boring at all! It is truly a melting pot of styles ranging from space-psychedelic rock to fuzzy desert-stoner rock with pinches of doom, hardcore, jazz and even a hint of reggae … So it is quite difficult indeed to give a tag, although the dominant styles are space-psychedelic and heavy desert rock in pure Kyuss style.
The demo contains six tracks whose length varies between four to over nine minutes. The song structures are quite complex as you can get all these different styles into a single track. However the length is adequate to merge the styles quite well. The result is quite dynamic songs where rhythms vary markedly from the slower spacey-psych parts to the faster stoner parts. Some slow parts with strongly distorted and fuzzy guitar sounds and dark, half spoken vocal parts mark occasional “invasions” of the doom realm by this creative band.
The space-psychedelic parts may recall bands like Los Natas or White Hills, although sounds change quite a lot: in certain instances typical space rock sounds give way to parts where an almost jazzy, leading sound of bass is coupled with background reverberating guitars and occasional reggae-like rhythms.
The vocal parts are accordingly variable. Vocal parts are not dominant but just essential and vary from dark, half-spoken to minor hardcore-style shouted (somehow in background), with occasional superposition of the two vocal styles. The effect is nice.
I must say that a character I liked particularly in this excellent demo is the role of the bass. I like it a lot when the bass sound is well heard: I think it helps in giving depth to the sound. I expressed this preference of mine in other occasions (even when dealing with black metal albums …). Here the bass sound is prominent, and I dig it a lot.
And, btw, thumbs up also for the production, guys!
-by Mari @ sludgeswamp.blogspot.com

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Sunday, November 1, 2009

Marasme - Marasme (Demo)


Artist: Marasme
Album: Marasme (Demo)
Label: Self Released
Year: 2008







Tracklist:
01. Waves
02. Firebreather
03. Maze

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Something athmospheric. Something chaotic, obsessive, melancholic. Claustrophobic and free: something dark, complex, painful. Marasme was born in January of 2008 when five twisted minds joined together to make something different: Jeroni (vocals; ex-Strangled), Tomeu (guitar; TeCorrs, ex-Venus Inferna), Manuel (guitar; ex-Stones From The Sky), Jaume (bass; ex-Dogma) and David (drums; ex-Dogma).

MySpace

Sunday, October 25, 2009

Vere - We Are Time


Artist: Vere
Album: We Are Time
Label: Self Released
Year: 2009







Tracklist:
01. Yop Rope!
02. Thanks Again
03. Yop The Plank
04. Pterodactyl

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Vere is a Rock band from Memphis and Jackson, Tennessee. They formed in March 2008, and they self released an EP titled "We Are Time", recorded at Ardent Studio.

MySpace

Saturday, October 24, 2009

The End Of The Ocean - Calm Seas Don't Make Sailors


Artist: The End Of The Ocean
Album: Calm Seas Don't Make Sailors
Label: Self Released
Year: 2009







Tracklist:
01. Docks
02. Romancing The Stars
03. Setting Sail
04. Siren Sound

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The End Of The Ocean is a five piece instrumental post-rock band based out of Columbus Ohio.
Engulfing listeners in waves of eerie nostalgia and sorrow, the ambiance of The End Of The Ocean becomes a self-voyage of life’s ebb and flow unfailingly finding a beacon of hope at the horizon.

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Sunday, October 18, 2009

Collapse Under The Empire - Crawling


Artist: Collapse Under The Empire
Album: Crawling
Label: Believe Digital
Year: 2009







Tracklist:
01. Crawling
02. Captured Moments

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Collapse Under The Empire is an instrumental/post-rock duo from Hamburg / Germany. They formed 2007, when Chris Burda and Matthew Jason got together to develop their own music under the name of Collapse Under The Empire. They both released the first four songs for the EP Paintball in summer 2008.
After that they came up with their self-produced debut album, Systembreakdown, which was recorded in their own studio and saw the light as a digital album of day in spring 2009. The songs were praised by critics and audience alike and brought the young band a lot of attention on the scene.
For the second album the band were signed by the indie label Sister Jack. The new album Find A Place To Be Safe will be out over Cargo Records on Nov. 27th 2009. It was mastered by Michael Schwabe (Einstürzende Neubauten, Die Toten Hosen, Beatsteaks) at Monoposto Studio. The appropriate single Crawling was pre--publicized on Sept. 25th 2009 over Believe Digital.

Official Site
MySpace